The first crown appears to have been only a band, in which the horns were set. From the idea of power contained in the "horn," even subordinate rulers seem to have worn a circlet adorned with a single horn, in token of their derived authority.

For SCULPTURE or WRITTEN RECORD I've drawn The Narmer Palette, also known as the Great Hierakonpolis Palette.

http://en.wikipedia.org/wiki/Narmer_Palette



Actually As i described above in a previous post, it could be used for any one of these. I have not decided what I'll do. But I;ve drawn the image allready, because I believe it is a must to include this pallete on one of the two.

ART EXPLANATION
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, containing some of the earliest hieroglyphic inscriptions ever found.

Aristotle's Poetics (Ποιητικός, c.335 BC)[1] aims to give an account of what he calls 'poetry' (for him, the term includes the lyric, the epos, and the drama). Aristotle attempts to explain 'poetry' through 'first principles' and by discerning its different genres and component elements.

Aristotle taught that poetry could be divided into three genres: Tragedy, Comedy, and Epic verse. Poetics focuses mainly on tragedy, while a second work by Aristotle focusing on comedy has been lost. It has been speculated that the Tractatus coislinianus was an outline of his lectures on the subject, or notes from a philosopher in the Aristotelian tradition.

Poetics was not influential in its time, and was generally understood to coincide with the more famous Rhetoric. This is because in Aristotle's time, rhetoric and poetry were not as separated as they later became and were in a sense different versions of the same thing.

TRANSLATED BY I. BYWATER
Our subject being Poetry, I propose to speak not only of the art in general but also of its species and their respective capacities; of the structure of plot required for a good poem; of the number and nature of the constituent parts of a poem; and likewise of any other matters in the same line of inquiry. Let us follow the natural order and begin with the primary facts.

Ancient Greeks turned ritual into ritual-drama and so The masks that were famously used in Ancient Greece were employed to honour, worship and depict their mythological gods. The masks were oversized and exaggerated. They were fitted about the mouth of the actor, and assisted the actors with projecting their voices over such a vast amount of space. The Greeks brought the making of theatrical masks to the height of their development, and in a way, laid the path for the making of masks within the theatrical world.